{"id":1140,"date":"2022-01-01T06:24:35","date_gmt":"2022-01-01T06:24:35","guid":{"rendered":"https:\/\/visitvisegrad.hu\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\/"},"modified":"2026-05-27T15:21:58","modified_gmt":"2026-05-27T15:21:58","slug":"a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval","status":"publish","type":"post","link":"https:\/\/visitvisegrad.hu\/sk\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\/","title":{"rendered":"s re\u0161taur\u00e1torom M\u00fazea kr\u00e1\u013ea Maty\u00e1\u0161a pri Ma\u010farskom n\u00e1rodnom m\u00fazeu"},"content":{"rendered":"
\n

O pr\u00e1ci re\u0161taur\u00e1torov sa zvy\u010dajne hovor\u00ed len ve\u013emi m\u00e1lo, hoci pr\u00e1ve oni s\u00fa t\u00fdmi, ktor\u00ed z predmetov n\u00e1jden\u00fdch pri vykop\u00e1vkach nakoniec vytvoria expon\u00e1ty a zachovaj\u00fa ich pre bud\u00face gener\u00e1cie. <\/b><\/p>\n

\u00a0<\/b><\/p>\n

Na \u010dom pr\u00e1ve teraz pracujete?<\/b><\/p>\n

V s\u00fa\u010dasnosti prebieha re\u0161taurovanie n\u00e1lezov z vykop\u00e1vok vo Visegr\u00e1de z roku 2024 v re\u0161taur\u00e1torskej dielni M\u00fazea kr\u00e1\u013ea Maty\u00e1\u0161a. \u00a0Hlavnou \u00falohou je konzerv\u00e1cia keramiky, skla, minc\u00ed a bronzov\u00fdch predmetov poch\u00e1dzaj\u00facich z oblasti \u0160alam\u00fanovej ve\u017ee, m\u00faru V\u00f6lgyz\u00e1r\u00f3, kopca Sibrik, Hradnej ve\u017ee a franti\u0161k\u00e1nskeho kl\u00e1\u0161tora. Mno\u017estvo odkryt\u00fdch n\u00e1lezov, ktor\u00e9 sa objavuj\u00fa na t\u00fdchto historick\u00fdch miestach, je mimoriadne pestr\u00e9 a rozmanit\u00e9. Cie\u013eom re\u0161taurovania je zachova\u0165 a podpori\u0165 sk\u00famanie pamiatok a ich vedeck\u00fa interpret\u00e1ciu. Rekon\u0161trukcia, teda obnovenie p\u00f4vodn\u00e9ho vzh\u013eadu a tvaru archeologick\u00fdch predmetov, je prostriedkom na dosiahnutie tohto cie\u013ea. Z vykop\u00e1vok sa na povrch dost\u00e1va najv\u00e4\u010d\u0161ie mno\u017estvo keramick\u00fdch \u00falomkov. \u010cisten\u00edm a trieden\u00edm sa za\u010d\u00edna h\u013eadanie a sp\u00e1janie k\u00faskov, ktor\u00e9 k sebe pasuj\u00fa pod\u013ea povrchu zlomu. Tento postup nie v\u017edy vedie k \u00faplnej rekon\u0161trukcii tvaru n\u00e1doby, av\u0161ak v mnoh\u00fdch pr\u00edpadoch sta\u010dia na jej identifik\u00e1ciu aj profily detailov alebo stopy v\u00fdzdoby vidite\u013en\u00e9 na \u00falomkoch. \u00a0Medzi najv\u00fdznamnej\u0161ie n\u00e1lezy z tohtoro\u010dn\u00fdch vykop\u00e1vok patria aj mince; ich \u010distenie a konzerv\u00e1cia s\u00fa ve\u013emi d\u00f4le\u017eit\u00e9 pre ur\u010denie veku odkryt\u00fdch vrstiev. Vzh\u013eadom na kvalitu niekdaj\u0161ej mincovne a storo\u010dia str\u00e1ven\u00e9 v zemi m\u00f4\u017eu by\u0165 povrchy pokryt\u00e1 hrubou kor\u00f3znou vrstvou, ktor\u00fa je \u010dasto mo\u017en\u00e9 odstr\u00e1ni\u0165 len pomocou mikroskopu a trpezliv\u00fdm \u010disten\u00edm.<\/p>\n

\u00a0<\/p>\n

\u010co by sa dalo poveda\u0165 z poh\u013eadu re\u0161taur\u00e1tora o stave a zachovalosti senza\u010dn\u00e9ho n\u00e1lezu z Benedetto da Maiano?<\/b><\/p>\n

Naozaj, aj srdce re\u0161taur\u00e1tora bije o nie\u010do r\u00fdchlej\u0161ie, ke\u010f naraz\u00ed na tak\u00fdto senza\u010dn\u00fd n\u00e1lez.
\nRutinn\u00e9 z\u00e1sahy zameran\u00e9 na ochranu umeleck\u00fdch diel si v tak\u00fdchto pr\u00edpadoch vy\u017eaduj\u00fa e\u0161te opatrnej\u0161ie a premyslenej\u0161ie postupy. \u00a0Prvorad\u00e9 je ur\u010denie zlo\u017eenia materi\u00e1lu a n\u00e1sledn\u00e9 stanovenie postupu \u010distenia pod\u013ea neho. Pokia\u013e je to mo\u017en\u00e9, pou\u017e\u00edvame postup, ktor\u00fd je k predmetu \u010do naj\u0161etrnej\u0161\u00ed, preto\u017ee chceme zachova\u0165 kult\u00farne inform\u00e1cie, ktor\u00e9 tieto rezb\u00e1rske diela obsahuj\u00fa. \u00dalomky bieleho mramoru, ktor\u00e9 kedysi zdobili olt\u00e1r franti\u0161k\u00e1nskeho kostola, utrpeli fyzick\u00e9 po\u0161kodenia sp\u00f4soben\u00e9 demol\u00e1ciou a ni\u010den\u00edm. Stredovek\u00e1 krypta kostola n\u00e1m v\u0161ak zachovala viacero detailov tohto cenn\u00e9ho diela. Po vyzdvihnut\u00ed, e\u0161te v stave vlhkom od zeminy, sa podarilo odstr\u00e1ni\u0165 ne\u010distoty z p\u00f4dy, ktor\u00e9 ulpeli na povrchu. Hoci pou\u017eitie \u010distenia vodou odstr\u00e1nilo v\u00e4\u010d\u0161inu n\u00e1nosov, na niektor\u00fdch miestach sa na povrchu tvrdo dr\u017eal tvrd\u00fd v\u00e1penat\u00fd povlak. Miestnym o\u0161etren\u00edm slab\u00fdm octov\u00fdm roztokom sa v\u0161ak podarilo tieto usadeniny \u00faspe\u0161ne odstr\u00e1ni\u0165. Po\u010das \u010distenia sa podarilo odkry\u0165 a zachova\u0165 aj tie ma\u013eovan\u00e9 vrstvy, ktor\u00e9 m\u00f4\u017eu poukazova\u0165 na p\u00f4vodn\u00e9 umiestnenie fragmentov olt\u00e1ra.<\/p>\n

\u00a0<\/b><\/p>\n

M\u00e1te nejak\u00fa ob\u013e\u00faben\u00fa oblas\u0165?<\/b><\/p>\n

Predmety, ktor\u00e9 predstavuj\u00fa v\u00fdzvu, s\u00fa mi v\u017edy bl\u00edzke, ke\u010f\u017ee z rozpadnut\u00fdch, ne\u00fapln\u00fdch \u010di \u010diasto\u010dne zni\u010den\u00fdch diel je potrebn\u00e9 rekon\u0161truova\u0165 autentick\u00e9 umeleck\u00e9 diela. Ako re\u0161taur\u00e1torka \u0161likr\u00e1tov sa vo svojej pr\u00e1ci venujem preva\u017ene rekon\u0161trukcii keramick\u00fdch predmetov. Jedn\u00fdm z prv\u00fdch krokov tohto procesu je triedenie stoviek \u00falomkov a n\u00e1sledn\u00e9 zlepenie \u010dast\u00ed, ktor\u00e9 k sebe pasuj\u00fa pod\u013ea povrchu zlomu. Doplnen\u00edm ch\u00fdbaj\u00facich \u010dast\u00ed sadrou z\u00edskame p\u00f4vodn\u00fd tvar, ktor\u00fd je tak mo\u017en\u00e9 zmera\u0165 a vedecky spracova\u0165.<\/p>\n

Okrem takzvan\u00fdch formovan\u00fdch n\u00e1dob tvoria samostatn\u00fa skupinu predmetov s\u00fa\u010dasti stredovek\u00fdch vykurovac\u00edch zariaden\u00ed \u2013 \u00falomky kach\u013eov\u00fdch dla\u017ed\u00edc, ktor\u00e9 patria medzi najcennej\u0161ie n\u00e1lezy z vykop\u00e1vok.\u00a0 M\u00e1me \u0161\u0165astie, \u017ee vo Visegr\u00e1de po st\u00e1ro\u010dia budovy vykurovali zdoben\u00e9 kach\u013eov\u00e9 pece. Drobn\u00e9 \u010dasti zni\u010den\u00fdch kachl\u00ed sa v\u0161ak na povrch dost\u00e1vaj\u00fa v\u00e4\u010d\u0161inou v rozbitom alebo ne\u00faplnom stave, \u010faleko od ich p\u00f4vodn\u00e9ho miesta in\u0161tal\u00e1cie a roztr\u00fasen\u00e9 po okol\u00ed. Je to vz\u00e1cna v\u00fdnimka, ke\u010f archeol\u00f3g pri vykop\u00e1vkach naraz\u00ed na rozpadnut\u00e9 \u010dasti kachl\u00ed na jednom mieste. \u00a0Pri vykop\u00e1vkach vykonan\u00fdch v roku 1991 na severoz\u00e1padnom n\u00e1dvor\u00ed Kr\u00e1\u013eovsk\u00e9ho pal\u00e1ca sa na povrch dostalo ve\u013ek\u00e9 mno\u017estvo \u00falomkov hlinen\u00e9ho kach\u013eov\u00e9ho krbu z \u010dias kr\u00e1\u013ea Maty\u00e1\u0161a. Po\u010det rozbit\u00fdch k\u00faskov so zelenou glaz\u00farou, zdoben\u00fdch erbmi a postavami rytierov, sa bl\u00ed\u017eil k tis\u00edcom. Ich zlepenie, doplnenie, ako aj individu\u00e1lna rekon\u0161trukcia jednotliv\u00fdch typov dla\u017ed\u00edc bola vzru\u0161uj\u00facou \u00falohou.\u00a0 Model kompletnej kachle je dodnes k videniu na st\u00e1lej expoz\u00edcii M\u00fazea kr\u00e1\u013ea Maty\u00e1\u0161a.<\/p>\n

\u00a0<\/p>\n

Je pre re\u0161taur\u00e1tora naj\u0165a\u017e\u0161ie pracova\u0165 so sklom, keramikou alebo in\u00fdmi typmi n\u00e1lezov?<\/b><\/p>\n

Je \u0165a\u017ek\u00e9 ur\u010di\u0165, \u010do n\u00e1m rob\u00ed najv\u00e4\u010d\u0161ie probl\u00e9my, ke\u010f\u017ee to z\u00e1vis\u00ed predov\u0161etk\u00fdm od stup\u0148a po\u0161kodenia jednotliv\u00fdch typov predmetov. \u010cas str\u00e1ven\u00fd pod zemsk\u00fdm povrchom m\u00e1 na \u00falomky mimoriadne siln\u00fd fyzik\u00e1lny a chemick\u00fd vplyv. P\u00f4dna vlhkos\u0165 pren\u00e1\u0161a ve\u013ek\u00e9 mno\u017estvo hydratovan\u00fdch sol\u00ed, ktor\u00e9 pri vyzdvihnut\u00ed m\u00f4\u017eu sp\u00f4sobi\u0165 a\u017e zni\u010denie pamiatkov\u00e9ho predmetu. V takomto pr\u00edpade je potrebn\u00e9 n\u00e1lezy bezodkladne konzervova\u0165 a a\u017e potom mo\u017eno za\u010da\u0165 s \u010disten\u00edm.\u00a0 Sklenen\u00e9 predmety s\u00fa obzvl\u00e1\u0161\u0165 vystaven\u00e9 fyzick\u00e9mu tlaku p\u00f4dy, ke\u010f\u017ee ide o mimoriadne krehk\u00e9 predmety, ktor\u00e9 sa v\u010faka tenkej hr\u00fabke stien rozbij\u00fa na drobn\u00e9 k\u00fasky. Lepenie je v tomto pr\u00edpade o nie\u010do n\u00e1ro\u010dnej\u0161ie, preto\u017ee sklenen\u00e9 \u00falomky sa \u013eahko pos\u00favaj\u00fa po sebe. Zlo\u017eenie v tomto pr\u00edpade zabezpe\u010duje do\u010dasn\u00e1 povrchov\u00e1 fixa\u010dn\u00e1 p\u00e1ska a a\u017e potom, ke\u010f sa uist\u00edme, \u017ee spoj je presn\u00fd, nanesieme do miesta zlomu kone\u010dn\u00e9 \u0161peci\u00e1lne lepidlo. Zlo\u017eit\u00e9 postupy si vy\u017eaduj\u00fa tie typy n\u00e1lezov, ktor\u00e9 boli kedysi vytvoren\u00e9 umiestnen\u00edm r\u00f4znych materi\u00e1lov ved\u013ea seba. Povrch kr\u00ed\u017ea z ru\u017eenca z 18. storo\u010dia, poch\u00e1dzaj\u00faceho z hrobu, zdoben\u00fd intarziou a perle\u0165ou, ako aj obal z medi, vy\u017eaduj\u00fa odli\u0161n\u00e9 \u010distiace a konzerva\u010dn\u00e9 roztoky. V takom pr\u00edpade je najvhodnej\u0161\u00edm rie\u0161en\u00edm nepo\u0161kodzuj\u00face oddelenie jednotliv\u00fdch \u010dast\u00ed, aby bolo mo\u017en\u00e9 vykona\u0165 cielen\u00fd z\u00e1sah zodpovedaj\u00faci zlo\u017eeniu materi\u00e1lu.<\/p>\n

\u00a0<\/p>\n

Je nejak\u00e9 va\u0161e dielo, na ktor\u00e9 ste obzvl\u00e1\u0161\u0165 hrd\u00fd, \u010di u\u017e kv\u00f4li jeho v\u00fdnimo\u010dnosti, alebo kv\u00f4li kone\u010dn\u00e9mu v\u00fdsledku?<\/b><\/p>\n

Ka\u017ed\u00fd typ predmetu, ktor\u00fd sa podar\u00ed zachr\u00e1ni\u0165 alebo uvies\u0165 do stavu bl\u00edzkeho p\u00f4vodn\u00e9mu, n\u00e1m prin\u00e1\u0161a rados\u0165, preto\u017ee v\u010faka re\u0161taurovaniu m\u00f4\u017eeme stabilizova\u0165 ich stav a prostredn\u00edctvom ich \u0161t\u00fadia a technick\u00fdch pozorovan\u00ed z\u00edskavame vh\u013ead do hmotnej kult\u00fary historick\u00fdch obdob\u00ed. \u00a0V r\u00e1mci v\u00fdstav, doplnen\u00fdch vysvet\u013euj\u00facimi textami, si ich m\u00f4\u017ee prezrie\u0165 aj \u0161irok\u00e1 verejnos\u0165.<\/p>\n

\u00a0<\/p>\n

S ak\u00fdmi n\u00e1lezmi sa vo Visegr\u00e1de stret\u00e1vate naj\u010dastej\u0161ie?<\/b><\/p>\n

Visegr\u00e1d a jeho okolie pon\u00fakaj\u00fa z h\u013eadiska n\u00e1lezov mimoriadne pestr\u00fd obraz. Spome\u0148me napr\u00edklad keramick\u00e9 urny z doby bronzovej, predmety z r\u00edmskeho obdobia, dom\u00e1cu keramiku z ran\u00e9ho stredoveku alebo stredovek\u00e9 ozdobn\u00e9 n\u00e1doby.\u00a0 \u010castos\u0165 v\u00fdskytu n\u00e1lezov v\u017edy s\u00favis\u00ed s obdob\u00edm, do ktor\u00e9ho patr\u00ed \u010das\u0165 osady alebo objekt odkryt\u00fd na danom archeologickom n\u00e1lezisku.\u00a0 Ke\u010f\u017ee pamiatky vyroben\u00e9 z organick\u00fdch materi\u00e1lov sa pod zemou, \u017eia\u013e, rozkladaj\u00fa, v n\u00e1lezoch prevl\u00e1daj\u00fa predov\u0161etk\u00fdm keramick\u00e9, kovov\u00e9 a kostn\u00e9 predmety.<\/p>\n

\u00a0<\/p>\n

Existuje nejak\u00fd n\u00e1lez z Visegr\u00e1du, ktor\u00fd sa v\u010faka (aj) jeho \u0161\u0165astne zachovan\u00e9mu stavu podarilo premeni\u0165 takmer na \u201enov\u00fd\u201d?<\/b><\/p>\n

Stav ka\u017edej skupiny n\u00e1lezov z\u00e1vis\u00ed od podmienok, v ak\u00fdch str\u00e1vili storo\u010dia v zemi. Kach\u013eov\u00e1 pec z \u010dias kr\u00e1\u013ea Maty\u00e1\u0161a bola objaven\u00e1 v \u010dasti Kr\u00e1\u013eovsk\u00e9ho pal\u00e1ca, ktor\u00e1 bola dovtedy relat\u00edvne nedotknut\u00e1.\u00a0 Ke\u010f sa stredovek\u00e1 budova zr\u00fatila, kachle spolu so stenami a vn\u00fatorn\u00fdmi klenbami spadli medzi trosky. Budova bola s\u00edce v barokovom obdob\u00ed prestavan\u00e1, v\u00e4\u010d\u0161ina \u00falomkov kachl\u00ed v\u0161ak t\u00fdmto z\u00e1sahom nebola dotknut\u00e1. Tento mimoriadny n\u00e1lez sa op\u00e4\u0165 dostal na svetlo sveta v roku 1991 a po jeho vyzdvihnut\u00ed nasledovalo v re\u0161taur\u00e1torskej dielni triedenie a n\u00e1sledn\u00e9 lepenie. T\u00e1to vzru\u0161uj\u00faca sklada\u010dka n\u00e1m odhalila ve\u013ekoplo\u0161n\u00e9 prvky kach\u013eov\u00fdch dla\u017ed\u00edc. \u00a0Hlavn\u00fdm charakteristick\u00fdm rysom stredovek\u00fdch kach\u013eov\u00fdch pec\u00ed je, \u017ee hranat\u00fa spodn\u00fa kon\u0161trukciu a vodorovn\u00e9 rady ve\u017eovitej hornej \u010dasti tvorili striedavo osaden\u00e9 kach\u013eov\u00e9 dla\u017edice rovnakej ve\u013ekosti a vzoru. V\u010faka tomu sa medzi zr\u00faten\u00fdmi \u00falomkami kachl\u00ed nach\u00e1dza ve\u013ea zhodn\u00fdch fragmentov, ktor\u00e9 sa plasticky navz\u00e1jom dop\u013a\u0148aj\u00fa. Cie\u013eom sadrov\u00fdch doplnkov modelu bolo vytvori\u0165 z ka\u017ed\u00e9ho typu, pomocou zabudovania p\u00f4vodn\u00fdch \u00falomkov, tak\u00fd vzorov\u00fd exempl\u00e1r, ktor\u00fd by mohol sl\u00fa\u017ei\u0165 ako z\u00e1klad pre rozmno\u017eovanie alebo v\u00fdrobu k\u00f3pi\u00ed. Na z\u00e1klade rozmerov\u00fdch, tvarov\u00fdch a plastick\u00fdch vlastnost\u00ed re\u0161taurovan\u00fdch kach\u013eov\u00fdch dla\u017ed\u00edc bola zn\u00e1zornen\u00e1 celkov\u00e1 hmotnos\u0165 vykurovacieho zariadenia.<\/p>\n

\u00a0<\/p>\n

Do akej miery m\u00f4\u017ee re\u0161taur\u00e1tor popusti\u0165 uzdu svojej fant\u00e1zii, ke\u010f m\u00e1 nie\u010do rekon\u0161truova\u0165 na z\u00e1klade fragmentov? Ako si m\u00e1me tak\u00fdto proces predstavi\u0165?<\/b><\/p>\n

Z etick\u00e9ho h\u013eadiska je v procesoch ochrany umeleck\u00fdch diel pr\u00edsnou po\u017eiadavkou autentickos\u0165. Fal\u0161ovan\u00e1 alebo nedok\u00e1zate\u013en\u00e1 rekon\u0161trukcia m\u00f4\u017ee vyvola\u0165 cel\u00fd rad nedorozumen\u00ed. \u00a0V pr\u00edpade tvarov\u00fdch n\u00e1dob sa ch\u00fdbaj\u00face \u010dasti dop\u013a\u0148aj\u00fa len v pr\u00edpade jednozna\u010dn\u00e9ho kompletn\u00e9ho profilu. Z\u00e1kladom rekon\u0161trukcie kach\u013eov\u00fdch dla\u017ed\u00edc je v\u017edy p\u00f4vodn\u00fd fragment. \u00a0Jedn\u00fdm z mo\u017en\u00fdch sp\u00f4sobov doplnenia ne\u00fapln\u00fdch, fragment\u00e1rnych kach\u013eov\u00fdch dla\u017ed\u00edc je pou\u017eitie k\u00f3pi\u00ed vyhotoven\u00fdch pod\u013ea analogick\u00fdch kusov. Mnoh\u00e9 kach\u013eov\u00e9 dla\u017edice s gotick\u00fdmi vzormi sa skuto\u010dne podarilo rekon\u0161truova\u0165 len z nieko\u013ek\u00fdch drobn\u00fdch fragmentov. Exempl\u00e1re zdoben\u00e9 vyrez\u00e1van\u00fdmi geometrick\u00fdmi tvarmi boli kedysi vyr\u00e1ban\u00e9 pomocou kon\u0161truk\u010dn\u00fdch v\u00fdkresov, preto je mo\u017en\u00e9 pomocou v\u00fdkresu v mierke op\u00e4\u0165 ur\u010di\u0165 presn\u00fa polohu p\u00f4vodn\u00fdch kusov. Pri realiz\u00e1cii rekon\u0161trukcie pou\u017e\u00edvame modelov\u00fa sadru, ktor\u00fa je mo\u017en\u00e9 tvarova\u0165, vyrez\u00e1va\u0165 a ma\u013eova\u0165 pod\u013ea po\u017eadovan\u00e9ho tvaru. Pri re\u0161taurovan\u00ed je v\u017edy ve\u013emi d\u00f4le\u017eit\u00fdm h\u013eadiskom mo\u017enos\u0165 zvr\u00e1tenia z\u00e1sahu, preto pou\u017e\u00edvame iba tak\u00e9 konzerva\u010dn\u00e9, lepiace a doplnkov\u00e9 materi\u00e1ly, ktor\u00e9 je mo\u017en\u00e9 kedyko\u013evek z predmetov odstr\u00e1ni\u0165.<\/p>\n

\u00a0<\/p>\n

Povedzte n\u00e1m nie\u010do o va\u0161ich profesion\u00e1lnych za\u010diatkoch: ako ste sa stali re\u0161taur\u00e1torom, kedy ste za\u010dali venova\u0165 pozornos\u0165 archeol\u00f3gii?\u00a0 <\/b><\/p>\n

U\u017e po\u010das \u0161t\u00fadia na gymn\u00e1ziu som v r\u00e1mci letnej brig\u00e1dy pracoval v m\u00fazeu vo Visegr\u00e1d, mo\u017eno pr\u00e1ve vtedy vo mne dozrela t\u00e1to my\u0161lienka. Kr\u00e1tko po ukon\u010den\u00ed gymn\u00e1zia som nast\u00fapil do re\u0161taur\u00e1torskej dielne m\u00fazea vo Visegr\u00e1d. Nakoniec ma Mikl\u00f3s H\u00e9jj, vtedaj\u0161\u00ed riadite\u013e M\u00fazea kr\u00e1\u013ea Maty\u00e1\u0161a, prijal ako asistenta re\u0161taur\u00e1tora. Nesk\u00f4r som mal mo\u017enos\u0165 absolvova\u0165 z\u00e1kladn\u00fd kurz a n\u00e1sledne aj odborn\u00fa \u0161kolu pre re\u0161taur\u00e1torov silik\u00e1tov\u00fdch pamiatok.<\/p>\n

V\u0161etci moji kolegovia, ktor\u00ed tu pracovali, boli nesmierne ochotn\u00ed a v\u017edy sa podelili o svoje sk\u00fasenosti a vedomosti. Umeleck\u00e9 diela, ktor\u00e9 zachr\u00e1nili, s\u00fa dodnes hlavn\u00fdmi protagonistami v\u00fdstav.
\nUr\u010dite mus\u00edm spomen\u00fa\u0165 P\u00e1ln\u00e9 Scheiliov\u00fa a \u00c9vu Sz\u0151keov\u00fa, ako aj Imreho Tavas, ktor\u00fd u\u017e, \u017eia\u013e, nie je medzi nami.<\/p>\n

Ve\u013emi v\u00e1m \u010fakujeme, \u017ee ste sa s nami podelili o toto mno\u017estvo zauj\u00edmav\u00fdch inform\u00e1ci\u00ed a \u017ee sme sa v\u010faka tomuto rozhovoru mohli aspo\u0148 trochu pribl\u00ed\u017ei\u0165 k svetu re\u0161taur\u00e1torov, o ktorom sa tak m\u00e1lo hovor\u00ed a ktor\u00fd je pre \u013eud\u00ed mimo tohto odvetvia takmer nezn\u00e1my.\u00a0\u00a0 <\/b><\/p>\n

\u00a0<\/p>\n

6. augusta 2024.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

A restaur\u00e1torok munk\u00e1j\u00e1r\u00f3l nagyon kev\u00e9s sz\u00f3 esik \u00e1ltal\u00e1ban, pedig \u0151k azok, akik az \u00e1sat\u00e1sok sor\u00e1n megtal\u00e1lt t\u00e1rgyi leleteket v\u00e9g\u00fcl ki\u00e1ll\u00edt\u00e1si t\u00e1rgyakk\u00e1 var\u00e1zsolj\u00e1k, s megmentik azokat az ut\u00f3kor sz\u00e1m\u00e1ra. \u00a0 Mi az, amivel e pillanatban dolgozik? Jelenleg a 2024-ben zajl\u00f3 visegr\u00e1di \u00e1sat\u00e1sok leletanyagainak restaur\u00e1l\u00e1sa zajlik, a M\u00e1ty\u00e1s Kir\u00e1ly M\u00fazeum restaur\u00e1tor m\u0171hely\u00e9ben. \u00a0A Salamon-torony, a V\u00f6lgyz\u00e1r\u00f3 fal,…<\/p>","protected":false},"author":6,"featured_media":1141,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"yoast_head":"\na Magyar Nemzeti M\u00fazeum M\u00e1ty\u00e1s Kir\u00e1ly M\u00fazeum\u00e1nak restaur\u00e1tor\u00e1val - Visit Visegr\u00e1d - Fedezd fel Visegr\u00e1d kincseit!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/visitvisegrad.hu\/sk\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"a Magyar Nemzeti M\u00fazeum M\u00e1ty\u00e1s Kir\u00e1ly M\u00fazeum\u00e1nak restaur\u00e1tor\u00e1val - Visit Visegr\u00e1d - Fedezd fel Visegr\u00e1d kincseit!\" \/>\n<meta property=\"og:description\" content=\"A restaur\u00e1torok munk\u00e1j\u00e1r\u00f3l nagyon kev\u00e9s sz\u00f3 esik \u00e1ltal\u00e1ban, pedig \u0151k azok, akik az \u00e1sat\u00e1sok sor\u00e1n megtal\u00e1lt t\u00e1rgyi leleteket v\u00e9g\u00fcl ki\u00e1ll\u00edt\u00e1si t\u00e1rgyakk\u00e1 var\u00e1zsolj\u00e1k, s megmentik azokat az ut\u00f3kor sz\u00e1m\u00e1ra. \u00a0 Mi az, amivel e pillanatban dolgozik? Jelenleg a 2024-ben zajl\u00f3 visegr\u00e1di \u00e1sat\u00e1sok leletanyagainak restaur\u00e1l\u00e1sa zajlik, a M\u00e1ty\u00e1s Kir\u00e1ly M\u00fazeum restaur\u00e1tor m\u0171hely\u00e9ben. \u00a0A Salamon-torony, a V\u00f6lgyz\u00e1r\u00f3 fal,...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/visitvisegrad.hu\/sk\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\/\" \/>\n<meta property=\"og:site_name\" content=\"Visit Visegr\u00e1d - Fedezd fel Visegr\u00e1d kincseit!\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-01T06:24:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-27T15:21:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/visitvisegrad.hu\/wp-content\/uploads\/2026\/04\/46721570e04cac216992fa9d0f826713.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"315\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"adam.litauszki\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Autor\" \/>\n\t<meta name=\"twitter:data1\" content=\"adam.litauszki\" \/>\n\t<meta name=\"twitter:label2\" content=\"Predpokladan\u00fd \u010das \u010d\u00edtania\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 min\u00fat\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/visitvisegrad.hu\\\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/visitvisegrad.hu\\\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\\\/\"},\"author\":{\"name\":\"adam.litauszki\",\"@id\":\"https:\\\/\\\/visitvisegrad.hu\\\/#\\\/schema\\\/person\\\/1f5b01a05e689b9856767a5f1649dffe\"},\"headline\":\"a Magyar Nemzeti M\u00fazeum M\u00e1ty\u00e1s Kir\u00e1ly M\u00fazeum\u00e1nak restaur\u00e1tor\u00e1val\",\"datePublished\":\"2022-01-01T06:24:35+00:00\",\"dateModified\":\"2026-05-27T15:21:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/visitvisegrad.hu\\\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\\\/\"},\"wordCount\":2340,\"publisher\":{\"@id\":\"https:\\\/\\\/visitvisegrad.hu\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/visitvisegrad.hu\\\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/visitvisegrad.hu\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/46721570e04cac216992fa9d0f826713.jpg\",\"articleSection\":[\"H\u00edrek\"],\"inLanguage\":\"sk-SK\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/visitvisegrad.hu\\\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\\\/\",\"url\":\"https:\\\/\\\/visitvisegrad.hu\\\/a-magyar-nemzeti-muzeum-matyas-kiraly-muzeumanak-restauratoraval\\\/\",\"name\":\"a Magyar Nemzeti M\u00fazeum M\u00e1ty\u00e1s Kir\u00e1ly M\u00fazeum\u00e1nak restaur\u00e1tor\u00e1val - 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